Conscious Vision | Andrea Marchesini

06 August - 18 September 2022

The exhibition aims to introduce and summarize the different facets of artist Andrea Marchesini and his creative process.

Through his canvases and carefully chosen materials, Marchesini channels his expressive power using bright colors and fine fabrics, giving life to powerful visions capable of capturing the viewer’s gaze and dragging him inside his imagination.

Curated by Francesca Carbone with the “Un Quadro di te” association, Conscious Vision hosts about 30 works including canvases, fabrics and papers, of which most are unpublished and some created ad hoc for the occasion. Spread over two locations in the historic center of Neive, the historic gallery and the modern gallery, the exhibition connotes itself as a journey into consciousness, space and time, a continuous virtuous circle that never wants to end.

profile of Andrea Marchesini
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Andrea Marchesini, - The thinker 2022

50x70cm olio, acrilico, smalti, gesso, lana e specchio su tela

Andrea Marchesini, - The jellifish 2022

20x27cm olio, acrilico e pelle su cartoncino telato

Andrea Marchesini, - Eye of Knowledge 2021

70x100cm olio, tempera, smalti, panno e pelle su tela

Andrea Marchesini, - The face in the hole 2021

50x70cm olio, acrilico, smalto, gesso e tessuti vari su tela

Andrea Marchesini, - Mystical landscape 2020

20x27cm olio, acrilico, smalto e tela dipinta su cartoncino

Andrea Marchesini, - Femme fatale 2020

70x100cm olio, tempera, smalti ed ecopelle su tela

Andrea Marchesini, - As long as I can 2022

50x68cm olio, smalto, acrilico, tempera e swaroski su tela

Andrea Marchesini, - The mirror 2020

20x27cm olio, tempera, smalti su cartoncino telato

Andrea Marchesini, - Becoming myself 2022

50x70cm acrilico, smalti, gesso, pelle e tessuti vari

Andrea Marchesini, - Line beyond 2022

148x123cm olio, smalti e specchio su tessuti vari

Andrea Marchesini, - The cardinal 2019

20x27cm olio, tempera, smalto ed ecopelle su cartoncino telato

Andrea Marchesini, - Blue Sky 2021

50x70cm olio, acrilico, gesso, pelle e miscellanea su tela

Andrea Marchesini, - A sweet dream from the future 2022

20x20cm olio, acrilico, smalto, gesso e velluto su tela

Andrea Marchesini, - Silent mood 2019

20x27cm acrilico, smalto e catramina su panno

Andrea Marchesini, - That’s the point 2019

20x27cm acrilico e tessuto su cartoncino

Andrea Marchesini, - Eternity 2019

20x20cm olio, tempera, smalto e pelle su tela

Andrea Marchesini, - Dancing on my playground | VENDUTA 2019

20x27cm smalti e juta su pannolenci

Andrea Marchesini, - The spinner 2021

100x120cm olio, scrilico, smalti, tempera, gesso e tessuti vari su tela

Andrea Marchesini, - Silver Fox 2022

20x20cm olio, acrilico, smalti e carta da parati su tela

Andrea Marchesini, - That’s it 2019

20x27cm acrilico e tel su cartoncino

Andrea Marchesini, - The bow 2019

144x152cm tempera, smalti, tessuti di cotone gresso, pile e tela

Andrea Marchesini, - The golden age 2021

200x140cm tempera, smalti, gesso e tela su tessuti vari

Andrea Marchesini, - The gate 2022

20x20cm olio, acrilico e specchio su tela

Andrea Marchesini, - Punching profile | VENDUTA 2022

20x20cm olio e acrilico su tela

Andrea Marchesini, - The night flower 2020

144x152cm olio, tempera, smalto e gesso su tessuto trapuntato

Andrea Marchesini, - Alchemy | venduta 2020

20x27cm olio, smalti su cartoncino telato

Andrea Marchesini, - The empty space 2020

20x27cm acrilico, catramina e specchio su pannolenci

Andrea Marchesini, - Backwards | Venduta 2022

20x27cm olio, smalti, broccato e pelle su cartoncino telato

Andrea Marchesini, - Hit and run 2019

200x144cm acrilico, tempera, smalto e catramina su tessuti vari

Andrea Marchesini, - The whale | SOLD 2021

20x27cm acrilico, smalto e tessuto su cartoncino telato

Andrea Marchesini, - The parrot 2020

20x27cm olio, tempera, smalti e tela dipinta su cartoncino telato

Andrea Marchesini, - Red fox..that was pretty smart and tricky of you today 2022

50x67cm olio, acrilico, tempera, smalti e gesso su tela

Andrea Marchesini, - What have I done 2022

20x27cm olio, acrilico e pelle su cartoncino telato

Andrea Marchesini, - Flower’s head and the little dude 2020

70x100cm acrilico, tempera, smalti e gesso su tela

Conscious Vision | Andrea Marchesini.
La critica GART.

Conscious Vision | Andrea Marchesini
Francesca Carbone

"It was a path one had to walk, straight and alone...until one crossed the dark and desolate valleys and finally reached the pure air to linger on the edge of a high and limitless plain. Imagination, freed from the chains of fear and law, then became one with vision. And the Act, intrinsic and absolute, was its meaning, and the bearer of its passion."

all exhibitions

There is something that unites these words written by painter Clifford Still in a letter to Gordon M. Smith and Andrea Marchesini’s action. Perhaps that individual and intimate path that, over the years, has liberated a style that to this day is specific and personal, albeit constantly evolving.

In our time there is determined coexistence of various and dissimilar forms of expression and, unlike what had happened in the twentieth century, there are no homogeneous and unitary movements but individual personalities whose creative value of the ego is exalted. We are in the age of the “egocalypse,” claims Vincenzo Trioni, and Marchesini’s work is concrete proof of this.

Marchesini delves into the interstices of the present, into a complex, layered and elusive temporality that is not approached as an obstacle or barrier but as an extraordinary challenge and inspirational opportunity. He composes the contours of its appearances, does not shirk, shows implicit roots and unexplored intentions. Seemingly unspecified forms speak with some precision of what the creative perceives. They coincide with what is outlined in front-and then erased. From the way the figures emerge and fade, distance and juxtapose with one another, one senses an expansive web of forces, a continuous questioning of the subjects’ assertion. It is the configuration of a sensation, the natural growth of the need to express in form and color the prism of imagination.

The canvas in front of us thus possesses an overtly autobiographical value; Marchesini speaks to us of his “I” openly. A perturbed feeling is perceptible that, without a prejudiced approach, is concealed by the use of garish color. Green squares, pink shapes, bright yellow backgrounds and precious fabrics build up works in which there is truth.

They are interpretations, extraordinary and exuberant, emerging in the form of humanoid, alien, fluid and geometric figures that ask to be scrutinized in detail to discover their identity.

His configurations are explosions of mystical meaning that find justification not in any duty of the artist to society, but in what he owes to himself, in his need to make visible the intimate core of his being.

The Marchesinian imaginative world possesses a subterranean sense of pure unconscious revelation. It was up to the Surrealist movement, in the postwar period, to codify this type of discovery and erect it as its own principle. Surrealism fascinated by Freud’s discoveries, through the doctrine of psychic automation, saw art as a means of revealing the hidden world of the unconscious.  Marchesini, whose work differs in other substantial respects from the Surrealist painters, evokes some references to them (Miró) along with slight influences of an expressionist nature (Francis Bacon, Jackson Pollock, Clifford Still). Chromatic forms germinate in images that remain unknown, or at least unexpected to their creator until the moment of their appearance. Enigmatic and complex presences originate to the point of becoming labyrinthine tangles, vegetable, organic and mental circumvolutions. According to the somewhat ingenious observation of the creative, it can be said that he replaces the repressed microcosm with an unattainable macrocosm. He expands the limits of our perception by deepening the cosmology of a subjective and mental universe, through a repertoire of images in which Marchesini retains his own and characteristic elusiveness, as if he has now gained ready access to his subconscious that he no longer has much reason to fear what it contains.

These works are the vigorous expression of his intellectual energy and sensitive perception, the indicator signs are half-hidden among the whimsical painted surfaces. For example, the perfect, flat layering of the background is fundamental basis, a temporary “tabula rasa” from which everything begins. Once the first spherical form is generated, dripping effects are combined with rapid, seemingly improvised brush swirls, branching, dense drippings are extended, fabrics, lacework and, in recent productions, fragments of rounded mirrors are inserted. Forms and materials that in the overall view generate a relationship.

The pure visual aesthetic becomes something else in the eyes of the careful observer. Volumes, chromatic and stylistic details together compose and convey different moods, allude to different possible values: a continuous contrast in search of coexistence.

These are not immediate works; they require time.

Marchesini’s is an alphabet that we cannot easily translate but the recurrence of symbols and forms, the result of a kind of obsessive component, implies the presence and construction of meaning.

The canvases are composed as Logos for the artist, a discourse that unifies and collects in images the multiplicity of being in order to find, more than a balance, a logic of existence.

Marchesini’s painting witnesses a new vision that describes and identifies the multiplicities of the sensible, obviously departing from achieving a primacy of absolute truth. It stops, however, and emphasizes on the canvas, the aspects of an ever-changing image of thought.

It can be said that Marchesini generates and operates the concept that Nietzsche identifies with Will to Power, the creative freedom of man, the Act that is the source of meanings and interpretations that becomes the possibility for the artist to become what he is. The Will to Power consists in creating, or rather re-creating being to the measure of one’s own beyond-humanity, and as an interpretative force one grasps the essence and origin of perspectival multiplicity. Thus, at every moment, a relationship is established between sensibility and becoming in which the main features are grasped and brought out through an aspect traceable to a form. This is why Marchesini’s painting style is a means of self-assertion.

In his action, the painter from Vicenza encodes signals, indications and horizonless perspectives of his own perception in the contemporary era, coloring the exuberance of his reactions and involving us in his own spectator-actor being.

Marchesini’s work can be said to announce a poetics of the relationships between creatures, imagery and their temporalities. Marchesini’s introspective and conceptual vocation is the element, which on a par with technique, makes him an emerging figure of relevant interest in the panorama of Italian painting of our time.

Francesca Carbone

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