Daniele Aletti

1962, Italian

Nasce in Svizzera da genitori di origine bergamasca. Dopo la scuola d’ Arte e Mestieri di Zurigo nel 1980 è allievo praticante presso lo scultore romano Alessandro Righetti, dove affina la tecnica scultorea con il marmo, viaggia e fa esperienza nelle cave della Maremma Toscana. Nel 1982 apre il suo primo Atelier a Dulliken, dove nascono le prime sculture da lui stesso definite “organiche”.

Aletti mette al primo posto il senso del tatto, occorre toccare  per entrare in relazione. “Mi piace l’idea di un contatto ravvicinato con la materia, per poi arrivare ad un’esperienza diversa che va oltre la forma.” Nel 1994 si trasferisce in Italia a Sale S. Giovanni (CN) dove  tutt’ ora vive e lavora.

Daniele Aletti.
La critica GART.

Daniele Aletti
Francesca Carbone

In Guggisberg and Aletti's work, the need for personal vision and the stone's conflicting need to maintain its value, its nature, are perfectly reconciled.

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However, this reconciliation does not lead to the static resolution of a climax or an end but to a harmony of opposing forces held in suspension. The reconciliation of opposing forces in Guggisberg and Aletti’s sculptures is made up of dynamic balance and perfectly counterbalanced tensions between harmonious forms and heavy materials. Strong tensions are produced between emptiness and volume, between original stone and perfect polish. The final impression, however, is that of a reconciliation of opposites, a perfect balance.

It can be said that there is no absolute, static meaning in these sculptures; the meaning may lie in the emotional and intellectual change that contemplating them operates within us.

Daniela Madeleine Guggisberg and Daniele Aletti’s works ask us to be absorbed, to be recreated in our memory, immediately stimulating us to give them an interpretation. 

Francesca Carbone

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All works

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acrylic on panel

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Pulsar mi è dolce 2021

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Coppia imprevedibile 2016

chestnut